Words Table Of Contents

Download PDF file of this article

PAT O’NEILL FILMOGRAPHY

*digital formats available to meet exhibitor’s specifications

Painter and Ball 4-14, 2011
Digital Video, 10 minutes, color, stereo sound
Additional Photography: Richard Matthews (1936-1984)
Sound Mix: George Lockwood

Starting to Go Bad, 2009
Digital Video, 30 minutes, color, stereo sound
Sound Mix: George Lockwood

I Open The Window, 2009
Digital Video, 19 minutes, color, stereo sound
Sound Mix: George Lockwood

I Put Out My Hands, 2009
Digital Video, 10 minutes, color, stereo sound
Sound Mix: George Lockwood

Horizontal Boundaries, 2008
35mm, 23 minutes, color, stereo sound

The Decay of Fiction, 2002
35mm, 74 minutes, color, sound
Producer, Director, Editor: Pat O’Neill
Producer: Rebecca Hartzell
Assistant Producer: Nancy Oppenheim
Director of Photography: George Lockwood
Gaffer: Amy Halpern
Sound Design: George Lockwood
Optical Printer Operator: Kate McCabe
Cast (abridged): Wendy Winburn, Jack Conley, Lisa Moncure, Patricia Thielemann, Jacqueline Humber, and Damon Collazo
Ambassador Hotel Property Manager: Steve Lawlor

Tracing The Decay of Fiction: Encounters with a Film by Pat O’Neill, 2002
The Labyrinth Project with Pat O’Neill
Projected interactive DVD-Rom Installation
Digital media, projectors, sound system, computers
Dimensions variable
Executive Producer: Marsha Kinder
Directors: Rosemary Comella and Kristy H.A. Kang with Pat O’Neill
Concept Design: Rosemary Comella, Kristy H.A. Kang, Marsha Kinder, and Pat O’Neill
Interface Design: Rosemary Comella and Kristy H.A. Kang
Sound Design: George Lockwood and Adam King
Production Manager: Priscilla Pena Ovalle
Assistant Producers: Nsenga K. Burton, JoAnn Hanley, Alison Trope, and Christina Venegas
Programming: Rosemary Comella
Digital Compositing and Graphic Design: Kristy H.A. Kang
Sound Engineer: Christopher Cain
Digital Media Compression: Priscilla Pena Ovalle
Video Production and Editing: Liang-yin Kuo and Tania Trepanier
Research and Rights Clearance: Myrton Running Wolf
Additional Artwork: Scott Mahoy, Ariel McNichol, and Priscilla Pena Ovalla
Video production and Editing: Liang-yin Kuo and Tania Trepanier
Research and Rights Clearance: Myrton Running Wolf
Additional Artwork: Scott Mahoy, Ariel McNichol, and Priscilla Pena Ovalle
2002 Annenberg Center for Communication, University of Southern California
Funding Support: Annenberg Center for Communication, University of Southern California; Southern California Study Center (SC2), University of Southern California; The James Irvine Foundation

Coreopsis, 1998
35mm, 6 minutes, color, silent

Squirt Gun Step Print, 1998
35mm, 5 minutes, black-and-white, silent

Horizontal Boundaries, 1998-2008
35mm, 25 minutes, color, silent

Trouble in the Image, 1996
35mm, 38 minutes, color, sound
Sound Design: George Lockwood

Water and Power, 1989
35mm, 38 minutes, color, sound
Sound Design: George Lockwood
Motion Control Software Design: Mark Madel
Optical Printer Operator: Beth Block

Foregrounds, 1979
16mm, 13 minutes, color, sound

Two Sweeps, 1979
16mm, 20 minutes, color, silent
Loop projection
Dimensions variable

Let's Make a Sandwich, 1978
16mm, 20 minutes, color, silent
Loop production
Dimensions variable

Sleeping Dogs (Never Lie), 1978
16mm, 9 minutes, black-and-white/color, silent/sound

Sidewinder’s Delta, 1976
16mm, 20 minutes, color, sound

Saugus Series, 1974
16mm, 18 minutes, color, sound

Down Wind, 1973
16mm, 15 minutes, color, sound
Sound Design: Stan Levine

Last of the Persimmons, 1972
16mm, 6 minutes, color, sound

Easyout, 1971
16mm, 9 minutes, color, sound
Sound Design: Stan Levine

Runs Good, 1970
16mm, 15 minutes, color, sound
Sounds contributed by Cisko Curtis

Screen, 1969
16mm, 4 minutes, color, silent
Loop production
Dimensions variable

7362, 1967
16mm, 10 minutes, color, sound
Sound Design: Joseph Byrd

Bump City, 1964
16mm, 6 minutes, color, sound

By the Sea, 1963
16mm, 10 minutes, black-and-white, silent
Collaboration with Robert Abel

Words Table Of Contents